BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
BOUGHT WITH PLEASURE, Installation view: Kunsthalle Düsseldorf, Invited by Daniel Hopp for Karl Schmidt-Rottluff Stipendium 2023
THE HOUSE THAT MUM BUILD, curated by Daniel Hopp and Alex Winterstein, Santos Road 32, SW London 2022
THE HOUSE THAT MUM BUILD, curated by Daniel Hopp and Alex Winterstein, Santos Road 32, SW London 2022
THE HOUSE THAT MUM BUILD, curated by Daniel Hopp and Alex Winterstein, Santos Road 32, SW London 2022
I am the child of Louise Lawler and Blinky Palermo, I hate my parents. Curated by Petra Reichensperger, 2022
I am the child of Louise Lawler and Blinky Palermo, I hate my parents. Curated by Petra Reichensperger, 2022
I am the child of Louise Lawler and Blinky Palermo, I hate my parents. Curated by Petra Reichensperger, 2022
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
IF YOU KNOW, YOU KNOW, curated by Hanna Eckstein, Kunstverein Friedrichshafen (2021)
WHERE DO WE FIND OURSELVES... curated by Jen Kratochvil, Vienna Contemporary (2020)
SO FAR ... curated by Hannah Eckstein, Kunstverein Global Forest, St. Georgen, 2020
SO FAR ... curated by Hannah Eckstein, Kunstverein Global Forest, St. Georgen, 2020
SO FAR ... curated by Hannah Eckstein, Kunstverein Global Forest, St. Georgen, 2020
SO FAR ... curated by Hannah Eckstein, Kunstverein Global Forest, St. Georgen, 2020
SO FAR ... curated by Hannah Eckstein, Kunstverein Global Forest, St. Georgen, 2020
THE MIDLIFE CRISIS OF THE DIGITAL REVOLUTION, Ars Electronica, Linz (2019)
FORMAL STRUCTURES / 1322, video and sound (2002 - 2020)
FORMAL STRUCTURES, video and sound (2002 - 2025)
WATCHED AND RECORDED / JTT, Screen and sound recording of the artist browsing the gallery website (2018)
Advert for Studio Botanic, Arts of the working class (2018)
WATCHED AND RECORDED / JTT, Screen and sound recording of the artist browsing the gallery website (2018)
WATCHED AND RECORDED / PETZEL , Screen and sound recording of the artist browsing the gallery website (2015)
WATCHED AND RECORDED / PERES PROJECTS III, Screen and sound recording of the artist browsing the gallery website (2017)
CAFE DURBAN, Installation view: Melange, Cologne (2018)
CAFE DURBAN, Installation view: Melange, Cologne (2018)
APEX / RECONTEXTULIZED, Video still (2018)
CAFE DURBAN, Installation view: Melange, Cologne (2018)
PROXY OBJECT / 1784, Installation view: Haus am Lützowplatz, Berlin (2018)
APEX / RECONTEXTULIZED, Video still (2018)
APEX / RECONTEXTULIZED, Installation View: Haus am Lützowplatz (2018)
WATCHED AND RECORDED / DARREN BADER, Screen and sound recording of the artist browsing Darren Bader's homepage (2018)
WATCHED AND RECORDED / MARY MARY, Screen and sound recording of the artist browsing the homepage (2018)
SCALE OF RATING, Installation view: Palermo, Stuttgart (2016)
SCALE OF RATING, Installation view: Palermo, Stuttgart (2016)
PROXY OBJECT (1765)
SCALE OF RATING, Installation view: Melange, Cologne (2016)
WATCHED AND RECORDED / GAVIN BROWN'S ENTERPRISE, Screen and sound recording of the artist browsing the gallery website (2017)
SHELF, zinc coated shelf, distilled water, various configurations (2016)
WATCHED AND RECORDED / CARLOS ISHIKAWA, Screen and sound recording of the artist browsing the gallery website (2017)
WATCHED AND RECORDED / GAVIN BROWN'S ENTERPRISE, Screen and sound recording of the artist browsing the gallery website (2017)
SCALE OF RATING, Installation view: Palermo, Stuttgart (2016)
FROM ISABELLA BORTOLOZZI WITH LOVE, video and sound recording of the artist investigating the press release of Dany McDonald's exhibition at Isabella Bortolozzi, Berlin (2015)
Installation view: Patrick Panetta and Christophe de Rohan Chabot, COFA with Melange, Cologne (2016)
Videostill
TAUSCHHANDEL in cooperation with Patrycja German, Installation view: Kölnmuseen Artothek, Cologne (2016)
SHELF (Eight) 2016
A JOURNEY THROUGH VIBRANT SPACE, Installation view: Exile, Berlin (2016)
DEAD END GALAXIES, curated by Marlies Wirth, Polansky Gallery, Prague (2018)
DEAD END GALAXIES, curated by Marlies Wirth, Polansky Gallery, Prague (2018)
EXILE X SUMMER CAMP, Manifesta 12, Palermo, Italy (2018)
WHAT PEOPLE DO FOR MONEY, trailer for Manifesta 11, HD video, sound, 05:01 min. (2016)
WHAT PEOPLE DO FOR MONEY, Installation view: Manifesta 12, Palermo (2018)
Nathalie Du Pasquier: Viva Pertini (with Patrick Panetta), Installation view, 2015, LISTE Basel
BOOTH FOR SALE, Advert, work in progress, Installation: abc, Art Berlin Contemporary with Andrae Kaufmann Gallery, Berlin (2013)
BOOTH FOR SALE, Advert, work in progress, Installation: abc, Art Berlin Contemporary with Andrae Kaufmann Gallery, Berlin (2013)
SOLD EDITION, Silk screen on wood, 59 x 42 cm (2013)
SOLD, Installation View: DAC, Daimler Art Collection, Berlin (2018)
MAKE PROBLEMS JUST SEXY ENOUGH, series of covered paintings, various installations and sizes (2004 / 2018)
MAKE PROBLEMS JUST SEXY ENOUGH, found painting covered with PVC film, 270 x 350 cm (2015)
PROXY OBJECT (1021, 1024), 2014
PROXY OBJECT (853) C-Print on canvas, 80 x 100 cm, 2011
PROXY OBJECT (858) C-Print on canvas, 80 x 100 cm, 2012
PROXY OBJECT (704) C-Print on canvas, 80 x 100 cm, 2008
NICE TO MEET YOU, work in progress around the 4th Berlin Biennal curated by Ali Subotnik, Massimiliano Gioni and Marizio Cattelan (2006)
NICE TO MEET YOU, video, sound, 2.30 min, work in progress around the 4th Berlin Biennal curated by Ali Subotnik, Massimiliano Gioni and Marizio Cattelan (2006)
NICE TO MEET YOU, work in progress around the 4th Berlin Biennal curated by Ali Subotnik, Massimiliano Gioni and Marizio Cattelan (2006)
THE ABSURDITY OF MARKING ART, CURATED BY HANS ULRICH OBRIST, work in process, Installation, Interview, sound recording (2007)
THE ABSURDITY OF MARKING ART, CURATED BY HANS ULRICH OBRIST, work in process, Installation, Interview, sound recording (2007)
THE ABSURDITY OF MARKING ART, CURATED BY HANS ULRICH OBRIST, Installation view
PROXY PRINTS (2004 / 2008)
